Thursday, October 6, 2011

she walks

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---In lines three and four Byron emphasizes that the unique feature of the woman is her ability to contain opposites within her; the nest of dark and bright/meet in her. The joining together of the darkness and the light can be seen in her aspect, or appearance, but also in her eyes. In this case, the womans eyes arent to be associated with a physical feature, but more as an internal aspect of her the eyes reveal her heart(Martin 4). L.C. Martin, from the University of Nottingham, also writes that Byron, emphasizes the unique feature of this woman to contain opposites within her,(4) therefore agreeing with the concept that not only is there a struggle between the darkness and the light, but also within the woman.


Beginning with line five, the word meet is emphasized again as she creates a tender light, not the gaudiness of daytime, but a gentler light that even heaven does not bestow an the day. The night can be thought of in terms of irrationality and the day in terms or reason and neither day nor night is pleasing, only the meeting of the two extremes in this woman.


In the second stanza, once again, the opposites are combined. Shade or darkness is combined with day or light, and raven tress or dark hair is linked with a lightened face. If the woman contained with in her and in her appearance either a little bit more of darkness or a little bit more of light, she would be half impaired. A key word in this section is grace. Although Byron continuously talks about appearances, in actuality he is referring to the nameless grace that is in her hair and face. Once again, it is something internal as well as external that is so attractive about this woman.


Although this poem begins with the image of a woman walking, there are no images given by Byron of her legs or arms or feet; this is a head poem, confined to hair, eyes, face, cheeks, and brows. The conclusion to the second stanza contains insight into the dwelling place of the womans thoughts, creating an insight into her mind by using alliteration. The repetition of the s sounds is soothing in the phrase serenely sweet express, because Byron is referring to her thoughts, and her thoughts are serene and pure(5).


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In the third and final stanza, Byron concludes the poem with three lines a physical description that lead to the final three lines the womans moral characterization. The soft cheeks, the winning smile, the tints in the skin eloquently express not only physical beauty, but they also attest to her morality. The physical beauty, the speaker can conclude, reflects days spent doing well, a mind at peace, and a heart whose love is innocent!


Byron convinces the reader that this woman is perfect. If any one aspect of her were to be different, she would be half-impaired. Byron uses many antonyms to describe this woman but still portrays a perfect balance within her, often using opposites like darkness and light to create this balance. As L.C. Martin states, Whether Byron would have preferred a less innocent cousin, someone with whom he could enjoy Byronic passions, is left unspoken for the reader to decipher(5). Without the two forces and the struggle within this woman, Byrons poem would have been a plain love poem, but because the forces are so pronounced by his use of colorful language, rhythm, and use of human characteristics, She Walks in Beauty is world renowned for its powerful description. Not only does it describe a womans physical beauty, but also her interior strengths.





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