Sunday, May 13, 2012

Nevermore lingers forever

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Edgar Alien Poe is a mystery, a madman and a genius. He has a unique and penetrating insight into worldly life while his works were criticized to be narrow and unhealthy. He was censured and sullied by his American contemporaries while he enjoyed great respect and welcome in Europe. Being a controversial figure in American literature, he deserves our further study to interpret his inner world and his literary realm.


In Poes theory, poetry is the highest literary form and its goal is to produce a feeling of beauty in the reader. He says, beauty aims at an elevating excitement of soul and beauty of whatever kind, in its supreme development, invariably excites the sensitive soul to tears. So he spares no effort in exploring and creating his ideal poetry. In his critical works The Philosophy of Composition and -The Poetic Principle-, he defines true poetry is the rhythmical creation of beauty, and declares, music is the performance of the soul, or idea, of poetry. His poetic theories are illustrated in a series of excellent poems To Helen, Israfel, The City in the Sea etc which are still popular today. Of them. The Raven, which is one of the most romantic and endurable poems, is probably the best representation of his poetic principles.


The Raven took him four years in composing and was finished in 1844.In this poem Poe reveals his superb skill in employing music and color, rhythm and imagery, mood and consciousness. He discusses the creative process behind the poem in The Philosophy of Composition. No one point, in its composition is referable either to accident or intuition, Poe claimed. The work proceeded, step by step, to its completion with the precision and rigid consequence of a mathematical problem. Poe claims he wrote the poem by first deciding on the effect he wanted, then determining length and tone before considering subject or theme. He arrived at his theme throughthe conviction that since the most poetic effect was beauty, the best tone to achieve it melancholyand the most melancholy occurrence is death, and then the most poetical subject is the death of a beautiful woman. He arrived at his characters after deciding that for the sake of his effect the single word nevermore would be his best refrain. It then followed that a single word could best be repeated by a parrot-or raven, and the death of a beautiful young woman best lamented by her bereaved lover. Poe choicely sets the story in a weak and weary snowy midnight. The young man sits in the chamber where he and his lost lover dated before. Poe thinks that the chamber is more infectious than the forest or the wilderness. The familiar setting is more easily to intrigue the good memory of the past amorousness and love. Meanwhile, he stresses on the details, dying ember, sad, uncertain purple curtain, bleak December, and so on, which all serve to establish the gloomy and dreadful atmosphere of the poem.


Since poetry is, according to Poe, the rhythmical creation of beauty, the only valid province of the poem is that of beauty. There is nothing more dignified than a poem which is a poem and nothing more-this poem written solely for poems sake. He is opposed to the heresy of the didactic and calls for pure poetry. Poetry does not have to inculcate a moral, it has only to be, the artistry of poem lies not in what is being said but in the way it is said. He insists on an even metrical flow in versification. He says that a poem should be neither too long nor too short. Since a unity of impression is desired, a poem should be long enough to achieve an effect but short enough to be read in one sitting. -The Raven is a marvel of regularity and brevity .W. L .Wemer records that, of its 71 complete feet in 108 lines, 705 are perfect trochees, ten doubtful trochees and only four clearly dactyls. We may quote the first stanza from the poem to serve as an illustration.


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Once upon a midnight dreary, while I pondered, weak and weary,


Over many a quaint and curious volume of forgotten lore-


While I nodded, nearly napping, suddenly there came a tapping,


As of some one gently rapping, rapping at my chamber door-


Tis some visitor, I muttered , tapping at my chamber door-


Only this and nothing more.


The structure is extremely regular the first line is eight feet, the second line seven feet and a half, the third eight feet, the forth seven feet and a half, the fifth line seven feet and a half, the sixth three feet and a half which is a repetition. The whole poem does exactly the same pattern





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