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In the recent years the world has had a chance to experience women in an entirely different way. Society has gotten a taste of women artists that have emerged all over the world. There are a number of American Indian women that have rare and amazing ability when it comes down to art and pottery. Some women potters have chosen to go as far as leaving their reservations in order to peruse a college education in pottery and the arts. These women have made it known that they want to take their talent to the professional level and they are special in their own way. But on the other side, there is a group of women that have not chosen this road. Instead, this other group of women have chosen to maintain a traditional Indian lifestyle. They stay on their own reservation and only learn what others teach them and grow on their own gifts and talents. They use there own ideas and experiment in new ways to make their pottery express who they are as individuals. They have reached the professional level by sticking to traditional, rather than educational. One of these extraordinary women is Dorothy Torivio, who has taken her special talents and taken pottery to a new extreme.
Dorothy Torivio was born in 146 (Peterson 1). She lives on the Acoma Pueblo located in New Mexico. Thus, Dorothy is proud to be an Acoma potter. Dorothy lives on the Acoma reservation where she is well recognized for her gifts and special talents in the arts. There is a constant demand for her unique pots in her reservation and also around the world. Each one of her pots is done based on the Acoma styles and traditions that she believes in very strongly.
The people of the Acoma Pueblo are known to be possibly the oldest inhabited village in the entire United States (Taret 1). The Pueblo has been around for centuries and they have an ongoing tradition of producing high-quality pottery. The Pueblo is also known as the "sky city". Sky City is situated on a 67-foot-high sandstone rock in the mountains and it is away from all other civilization (Taret 1). (about 7,000 feet above sea level!) Today, approximately 5,00 people live on the Acoma lands and the land is owned collectively by the people (Taret 1). They believe strongly in equality and no one can be considered dominant unless it is in a specific field of authority. If you visit the Pueblo during the spring season, especially on the weekends, you will find a lot of activity going on. Most of the potters display their pieces at the Sky City Visitors Center (Taret ). Each piece that is displayed follows the traditional guidelines of Acoma pottery.
Each Acoma potter starts their pots with the traditional coil and that is the style that they use to make their pottery. Getting the air out of the clay, making the coils and putting together the coils requires a high degree of skill and expertise. Acoma pots are special in the fact that they have extremely thin, but strong, walls. Acoma pots are known for having thin walls and that is their best quality (Dittert and Plog 4). Before the piece is fired and decorated, it is first painted with a kaolin clay slip. Kaolin slip is a very thin white powder that keeps the clay from shrinking in the fire (Dittery and Plog 44). This is very important because Acoma pots are already very thin and when you dry and fire clay, it shrinks on its own . The majority of Acoma pottery is made from a plain clay painted with either a smooth white slip, white on black slip, or black on white slip. The most common colors that are pained on the pots are black, orange, and brown. Acoma has produced substantial amounts of black and orange designs. Also common to Acoma pottery is the fine line designs, animal motifs, and interlocking scrolls (Dittery and Plog 44). Black and white designs on these pots are often optical illusions that tease the eye of the beholder. Some pots are so finely painted with a one strand yucca brushes that the concentration and patience that is required to make such a piece is immense! Designs on Acoma pots may contain anything from deer, flowers, and birds to very fine-lined geometric patterns. They do both organic designs and geometric figures (Dittert and Plog 45). But, on the other hand, they are known to paint such animals as owls and turtles to add to their artistic style and creativity.
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